Bach sample chops hip hop
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The result, Mundian, was released in 1998, became an instant hit in the South Asian community and crept slowly into the European pop charts. His big voice made the track immediately appealing: Janjua chops up his syllables and rides the beat like an MC, only to switch gears midbar and swoop away on a long, legato melody thousands of miles from hip-hop. And he went all the way to India to record vocals by a Bollywood singer named Labh Janjua. Rai decided to borrow the sample himself, but he added a thick layer of dhol drums and a tense, stabbing tumbi phrase. "Bhangra was considered too thug, too ghetto, within the Indian community," says Rekha Malhotra, a DJ who in 1997 founded a Basement Bhangra night at the Manhattan club S.O.B's.Ī second-generation Indian born in London and raised in New York, Malhotra says that most record stores avoided the tough, colourful Punjabi-language tracks she was playing at the club, favouring instead lightly Indian-inflected techno tracks designed to please what she calls the "yoga-loving hippie crowd".Īll that began to change when Panjabi MC (Rajinder Rai) heard Fire It Up, a 1997 hit single by Busta Rhymes that - like innovative hip-hop producer Timbaland's song Clock Strikes from the year before - sampled the theme from the television show Knight Rider. These second-generation South Asian immigrants - artists like Golden Star and Alaap - had some success with bhangra-fied dance music. In the late 1980s and '90s, however, a new generation of musicians started easing bhangra out of the home and into Western clubs. As Noddy Sahota, a filmmaker of Punjabi descent who grew up in London, recalls: "When I was young, to fit in with your white friends, you'd listen to Blondie, but at home you'd still listen to bhangra." For young people growing up in the Indian diaspora, it was the link between generations music you learned from your parents and their parents. Over the years, bhangra came to be known largely as wedding music, with lyrics to match, on subjects such as difficult in-laws, disloyal husbands and nosy sisters. A rural folk music that originated hundreds of years ago in the Punjab region of Northern India, bhangra uses rich, booming drums, an accordion-like instrument called a baaja, and a single-string guitar called a tumbi. Even Indian nationals find themselves admitting that rapping goes pretty well over a dholak (drum) beat.īeware, a remix of the Panjabi MC song Mundian to Bach Ke, is part of a long-running conversation between American hip-hop and England's South Asian community that has been conducted in the language of bhangra. And under its influence people who have never listened to Indian music are walking into record stores and asking for things they can barely pronounce.
#Bach sample chops hip hop tv#
Beneath it all runs a distinctly worldly synthesiser sample, a phrase you think you know.Ī TV show theme, maybe? It's a dance tune, but definitely not Western. Full-throated and virtuosic, the singing has an almost religious passion, but it's obviously pop to somebody. The drums could be a marching band, except that they sound too liquid, almost like vocals. In the space of four fierce minutes, Beware conveys both the stylish sang-froid of hip-hop and the physical jubilation of an Indian wedding. If you've heard the song you might have thought it was two songs at once, perhaps blaring out of two cars pulled up to the same light. Now Beware of the Boys by British producer Panjabi MC and Jay-Z is doing the same thing for the hip-hop nation and members of the Indian diaspora. Nirvana's Smells Like Teen Spirit did it in 1991, convincing millions of punk, pop and metal partisans that they could find common ground.
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Run-DMC's cover of Aerosmith's Walk This Way did it in 1986, winning over rock sceptics and persuading hip-hop fans that good beats are where you find them. Rap music meets its match with the sounds of an Indian wedding.Įvery now and then, a song bursts into the atmosphere with its own gravitational force and manages to pull even the most resistant music fans out of their usual orbits.